Kinder

Rojuu's song "Kinder" is a bold critique of the Spanish trap music scene, delivered from the perspective of a young artist. The lyrics are a direct confrontation with the superficiality and materialism that Rojuu perceives in the genre. He criticizes the obsession with money and status, suggesting that many artists are more concerned with their image than with genuine artistic expression. This is evident in lines like "Están to el día hablando del fuckin dinero" and "Te crees el fuckin boss pero te has comido cero," where he calls out the hollow bravado of his peers.

Rojuu also contrasts the Spanish trap scene with the American one, implying that the latter has a more authentic and talented pool of artists. He mentions Kidd Keo, a well-known figure in Spanish trap, as an example of someone who stands out due to his talent. The metaphor of "dos kinder yo el bueno y uno malo" suggests a dichotomy within the genre, where Rojuu sees himself as a force for positive change. He believes that the current state of Spanish trap is unsustainable, as indicated by the line "Si esto sigue así trap españa mañana tara muerto."

The song also touches on themes of youth and potential. Rojuu, being only 13 years old, positions himself as a fresh voice capable of bringing new perspectives to the genre. He criticizes older artists for their lack of innovation and depth, as seen in "Yo solo 13 años y tu tienes 26 / Para cuando un tema bueno, va decir cuando lo hacéis." This youthful defiance is a call to action for the Spanish trap community to evolve and embrace more meaningful content. Rojuu's "Kinder" is not just a song; it's a manifesto for a new era in Spanish trap music, urging artists to move beyond clichés and embrace authenticity.