Niña, sube a la lancha

Rolando Alárcon's song 'Niña, sube a la lancha' is a beautiful and evocative piece that captures the essence of love, tradition, and the harsh realities of life at sea. The song, which won first place at the Festival de la Canción de Viña del Mar in 1967, is a pericona, a traditional dance from the Chiloé Archipelago in southern Chile. This cultural backdrop enriches the song's narrative, making it a poignant reflection of the region's maritime heritage.

The lyrics tell the story of a man urging a young woman to join him on a boat trip to Chiloé. He speaks of the favorable wind and the promise of a journey that will lead them to marriage, symbolized by the altar. The mention of 'la Minga de Chiloé' refers to a traditional communal work party, often accompanied by music and dance, highlighting the communal and celebratory aspects of their culture. The pericona dance, specifically mentioned, adds a layer of cultural richness and joy to the narrative.

However, the song also touches on the uncertainties and hardships of life. The man acknowledges the tough nature of their work at sea and the unpredictable elements they face. The final verses take a melancholic turn as the wind and the moon's disappearance symbolize the separation and unfulfilled dreams. The young woman's tears at the end reflect the emotional weight of missed opportunities and the harsh realities that often accompany life in such a rugged environment.

'Niña, sube a la lancha' is a touching blend of love, cultural tradition, and the bittersweet nature of human experience. It paints a vivid picture of life in Chiloé, celebrating its unique customs while also acknowledging the challenges faced by its people.