Veinticinco limones

Rolando Alárcon Rolando Alárcon

The Bittersweet Dance of Love and Disillusionment in 'Veinticinco limones'

Rolando Alárcon's 'Veinticinco limones' is a vibrant and evocative cueca that intertwines the imagery of fruits with the complexities of love and disillusionment. The song opens with a lively mention of various fruits—naranjas (oranges), limones (lemons), sandías (watermelons), and melones (melons)—which are often associated with the richness and abundance of life. This colorful introduction sets the stage for a deeper exploration of human emotions and relationships.

The lyrics then shift to a more personal narrative, where the singer recounts a poignant moment 'debajo de un limón verde' (under a green lemon tree). This setting, where 'el agua no corría' (the water did not flow), symbolizes a stagnant or unfulfilled love. The singer confesses to giving their heart to someone who did not deserve it, highlighting themes of misplaced trust and emotional vulnerability. The green lemon tree, often associated with bitterness, serves as a metaphor for the sour experience of unrequited love.

As the song progresses, the imagery of 'veinticinco limones' (twenty-five lemons) on a branch that doubles by morning suggests a sense of hope and renewal. Despite the initial disillusionment, there is a hint of optimism and the possibility of new beginnings. The playful mention of 'hacele un cariñito con disimulo' (give it a little affection discreetly) adds a touch of lightheartedness, suggesting that love, despite its challenges, can still be tender and sweet. The closing line, 'Naranjas y limones moran amores' (Oranges and lemons dwell in loves), encapsulates the song's essence, blending the sweetness and bitterness of love into a harmonious dance.

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  1. El hombre
  2. Si me quieres escribir
  3. Si Somos Americanos
  4. Eres alta y delgada
  5. Anoche me refalé
  6. Consagración del pan y el vino
  7. Juguete de amor
  8. Los tres Carrera
  9. Señor, Ten piedad (o Kyrie)
  10. ¿Adónde vas, jilguerillo?
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