Cambalache

Rolando Laserie's rendition of 'Cambalache' is a poignant critique of societal decay and moral ambiguity. Originally written by Enrique Santos Discépolo in 1934, the song's lyrics lament the persistent corruption and moral decline that have plagued humanity across centuries. The opening lines set the tone by declaring that the world has always been a 'porquería' (a mess), whether in the year 506 or 2000, emphasizing the timeless nature of these issues. The song paints a vivid picture of a world where good and evil are indistinguishable, and societal roles are blurred, making it difficult to discern right from wrong.

The song's chorus underscores the idea that in the 20th century, moral values have become so convoluted that it no longer matters whether one is honest or deceitful, educated or ignorant. The lyrics suggest that everyone is equally tainted by the same 'lodo' (mud), highlighting the pervasive nature of corruption. This theme is further explored through the juxtaposition of various characters, from scholars to thieves, all placed on the same moral plane. The song's imagery of a chaotic 'cambalache' (swap meet) where everything is mixed together reflects the disorder and lack of respect for traditional values.

'Cultural references abound in the song, from historical figures like Napoleon and San Martín to fictional characters like Don Bosco and La Mignon. These references serve to illustrate the absurdity of a world where such disparate figures are all part of the same moral landscape. The song's closing lines offer a bleak outlook, suggesting that hard work and honesty are futile in a world where deceit and exploitation are rampant. The phrase 'el que no afana es un gil' (he who doesn't steal is a fool) encapsulates the cynicism and disillusionment that permeate the song, making 'Cambalache' a timeless anthem of societal critique.