LAX

In 'LAX,' ROSALÍA delves into the complexities and contradictions of fame, trust, and personal loss. The song opens with a striking line, 'Me fío más de mi peor enemigo que de ti,' which translates to 'I trust my worst enemy more than you.' This sets the tone for a narrative filled with skepticism and betrayal. ROSALÍA juxtaposes her luxurious lifestyle, symbolized by references to Paris, Louis Vuitton, and Rolex, with the emotional toll it takes on her. The line 'Pero tú tienes todo lo que perdí' ('But you have everything I lost') poignantly captures the sense of loss that accompanies her success.

The recurring mention of 'Alguien nuevo quiere algo de mí' ('Someone new wants something from me') and 'Muchos más cuchillos en el VIP' ('Many more knives in the VIP') highlights the constant pressure and scrutiny she faces. The VIP section, often seen as a symbol of exclusivity and privilege, is depicted here as a place fraught with danger and deceit. ROSALÍA's nights are filled with solitude and superficial parties, underscoring the emptiness that can accompany a high-profile lifestyle. The metaphor of crashing Ferraris further emphasizes the destructive potential of fame.

The chorus, with its references to LAX, jetlag, and paparazzi, paints a vivid picture of the relentless pace and public exposure that come with being a global star. Despite the glamour, ROSALÍA admits, 'No es en serio, ¿no lo ves?' ('It's not serious, don't you see?'), suggesting a disconnect between her public persona and her true self. The repeated phrase 'Se siente heavy' ('It feels heavy') encapsulates the emotional weight she carries. The song concludes with a desire for release before the spotlight burns too brightly, a poignant reminder of the fleeting nature of fame and the personal sacrifices it demands.