Nana (Cap. 9: Concepción)

ROSALÍA's 'Nana (Cap. 9: Concepción)' is a hauntingly beautiful song that seems to delve into themes of innocence, loss, and the ethereal nature of dreams. The lyrics are simple yet profound, with the repetition of 'Nana' evoking the traditional lullaby meant to soothe and comfort. The song's opening lines, 'En la puerta del cielo / Venden zapatos / Pa' los angelitos / Que están descalzos,' suggest a childlike innocence and a connection to the divine, with the imagery of barefoot angels and the sale of shoes at heaven's gate painting a picture of purity and need.

The second verse, 'Nadie a ti te ha conta’o / Que ningún sueño / Sabe de horas o tiempos / Ni tiene dueño,' speaks to the timeless and unowned nature of dreams. It's a reminder that dreams are not bound by the physical world's limitations, suggesting a sense of freedom and the boundless potential of the human spirit. The mention of rain and angels in the following lines further emphasizes the spiritual and introspective quality of the song, with the rain serving as a veil through which angels observe, possibly symbolizing the tears of the soul or the cleansing nature of emotional release.

ROSALÍA, known for her modern interpretations of Flamenco and her ability to blend traditional Spanish music with contemporary sounds, creates an atmosphere that is both comforting and melancholic. The lullaby-like quality of 'Nana (Cap. 9: Concepción)' may serve as a metaphor for the comfort we seek in the face of life's uncertainties and the solace found in the idea of a protective, watchful presence, whether it be divine or within ourselves.