Sete Cavaleiros

Ruy Maurity's song 'Sete Cavaleiros' is a rich tapestry of Brazilian folklore, spirituality, and existential questioning. The lyrics open with a plea for identity and belonging, as the narrator asks, 'De quem sou eu, meu pai?' (Whose am I, my father?). This question is directed towards Obatalá, a deity in the Yoruba religion, symbolizing a search for spiritual and existential grounding. The repeated inquiry about whether the narrator belongs to the earth, wind, or sea further emphasizes a quest for understanding one's place in the universe.

The song then introduces the 'Sete Cavaleiros' (Seven Knights), who are described as enchanted beings, children of innocence, and fathers of all sins. This duality suggests that these knights embody both purity and corruption, reflecting the complex nature of humanity. The reference to Tupã, a deity in Guarani mythology, and Ogum, a warrior god in Yoruba religion, highlights the syncretism in Brazilian culture, where indigenous and African spiritual beliefs intertwine. The knights are portrayed as warriors and lovers, indicating their multifaceted roles in the cosmic and human realms.

As the song progresses, the imagery of the seven knights becomes more vivid. They are conceived by the 'chama dos amantes' (flame of lovers) and the 'medo dos vencidos' (fear of the defeated), suggesting that they are born out of passion and fear. The mention of 'sete bandoleiros' (seven bandits) and the triumphant arrival of one on the horse of Ogum signifies a journey of struggle, survival, and eventual victory. This narrative arc mirrors the human experience of facing challenges and emerging stronger. Through its poetic and symbolic language, 'Sete Cavaleiros' invites listeners to reflect on their own spiritual journeys and the dualities within themselves.