Quizumba de Rei

Ruy Maurity's song 'Quizumba de Rei' is a rich tapestry of cultural and spiritual references, blending Afro-Brazilian religious elements with a narrative of personal struggle and societal critique. The repeated line 'A coroa de ouro é mariô, Ogum é tata, é tata' invokes the imagery of a golden crown and the deity Ogum, a powerful figure in Afro-Brazilian religions such as Candomblé and Umbanda. Ogum is often associated with war, iron, and labor, symbolizing strength and resilience. The golden crown could represent divine authority or spiritual enlightenment, suggesting a quest for higher understanding or protection.

The phrase 'Quizumba de Calunga me pegou' introduces the concept of 'Calunga,' which in Afro-Brazilian culture can refer to the sea or the world of the dead. This line implies a sudden, overwhelming spiritual experience or a confrontation with mortality. The protagonist feels caught in this spiritual whirlwind, unable to explain it to others, highlighting a sense of isolation and misunderstanding. The mention of 'Juca' and the line 'Cada um por si não faz um Carnaval!' emphasize the importance of community and collective effort, contrasting with the individualistic mindset that the protagonist criticizes.

The song also touches on themes of marginalization and redemption. The protagonist, seeking solace in a corner bar, reflects on how he has been transformed from a 'hero of the day' to a 'marginal.' This shift underscores the precariousness of social status and the ease with which one can fall from grace. The invocation of São Jorge, a syncretic figure who blends elements of Catholicism and Afro-Brazilian beliefs, serves as a plea for protection and guidance. The recurring reminder that 'Cada um por si não faz um Carnaval!' reinforces the idea that true celebration and progress require unity and mutual support, rather than isolation and self-interest.