Roses

SAINt JHN's 'Roses' is a vivid exploration of the highs and lows of fame, excess, and the complex persona that comes with it. The song opens with a striking image of the artist walking into a room, drawing attention with his presence alone. The reference to Pablo Escobar in a photo and Tony killing Manolo from 'Scarface' sets a tone of power and danger, suggesting that SAINt JHN's presence is both commanding and intimidating. This imagery is a metaphor for the allure and peril of the lifestyle he leads, where appearances can be deceiving, and the stakes are always high.

The chorus, with its repeated call to 'turn up' and the admission of losing control when the party starts, underscores the theme of indulgence. SAINt JHN acknowledges his inability to handle his behavior, hinting at the destructive potential of living life in the fast lane. The line 'Too fast, never ask, if the life don't last' reflects a reckless abandon, a willingness to embrace the moment without concern for the future. This hedonistic approach is both a celebration and a caution, illustrating the thin line between enjoyment and self-destruction.

Throughout the song, there is a recurring motif of secrecy and loyalty. SAINt JHN repeatedly asserts that his confidants won't reveal his secrets, emphasizing the importance of trust in his world. This need for discretion highlights the isolation that often accompanies fame, where true friends are rare, and betrayal is a constant threat. The repeated mention of 'roses' serves as a symbol of both beauty and transience, encapsulating the fleeting nature of pleasure and the ever-present danger of his lifestyle. 'Roses' is a powerful commentary on the duality of fame, where the allure of excess is shadowed by the potential for downfall.