Novo Dia Todo Dia É Um Novo 7 X 1

Salk Soares' song 'Novo Dia Todo Dia É Um Novo 7 X 1' is a powerful commentary on the socio-political and economic struggles faced by many Brazilians. The title itself is a metaphor, referencing the infamous 7-1 defeat of Brazil by Germany in the 2014 World Cup, symbolizing daily defeats and disappointments experienced by the common people. The lyrics paint a vivid picture of the harsh realities of life in Brazil, touching on themes of poverty, violence, and systemic inequality.

The song opens with a stark image of violence and crime, 'Roubaram a tia na esquina, reagiu é clack boom,' highlighting the everyday dangers faced by ordinary citizens. The line 'Os moleque tão com fome, né de bola, é de feijão' contrasts the idealized image of Brazilian children playing soccer with the grim reality of hunger. Soares criticizes the government's priorities, pointing out the neglect of education in favor of sports infrastructure, 'Esqueceram as escolas, reformaram o Mineirão.' This critique extends to the broader societal issues, questioning the true impact of historical events like the abolition of slavery and the ongoing racial and economic disparities.

The second verse, performed by Tl, continues this critique, focusing on the stark contrasts between the lives of the rich and the poor. The lines 'Brasil dos brancos ricos, onde o pobre é preto' and 'O pastor ganhando mais, que quem estuda a vida inteira' underscore the systemic racism and economic inequality that plague the country. Tl's verse also touches on the disillusionment with religious and political leaders, expressing a sense of betrayal and frustration. The song ends with a defiant rejection of corrupt politicians, 'Michel Temer, Bolsonaro, vão pra puta que pariu,' encapsulating the anger and discontent felt by many Brazilians.

Overall, 'Novo Dia Todo Dia É Um Novo 7 X 1' is a raw and unflinching portrayal of the struggles faced by marginalized communities in Brazil. It uses powerful imagery and poignant lyrics to shed light on issues that are often overlooked, making it a significant piece of social commentary in contemporary Brazilian music.