90MIN

Salmo's '90MIN' is a sharp, satirical commentary on contemporary Italian society. The song opens with a depiction of Italy, highlighting its contradictions and complexities. Salmo paints a picture of a country where traditional values coexist with modern challenges. The lyrics mention the influence of religion, the passion for football, and the struggle with unemployment, all while maintaining a tone of irony and critique. The phrase 'Questa è l'Italia' (This is Italy) is repeated, emphasizing the duality and the often absurd reality of the nation.

The song delves deeper into the societal issues plaguing Italy. Salmo addresses the pervasive influence of the mafia, the superficiality of media, and the paradox of racists enjoying hip hop music. He uses vivid imagery and metaphors, such as 'baciare gli anelli di mani mozzate' (kissing the rings of severed hands), to illustrate the corruption and violence that are part of everyday life. The reference to 'Turandot,' an opera with an unresolved ending, symbolizes the ongoing and unresolved issues within the country. Salmo's critique extends to the political and economic spheres, highlighting the disparity between the powerful and the powerless.

The chorus, 'Novanta minuti di applausi' (Ninety minutes of applause), serves as a metaphor for the performative nature of society. It suggests that despite the underlying issues, there is a facade of approval and acceptance. The song's structure, with its repetitive and rhythmic elements, mirrors the cyclical nature of these societal problems. Salmo's use of colloquial language and cultural references makes the song relatable to a wide audience, while also providing a critical lens through which to view modern Italy. The closing lines, with their dark humor and stark imagery, leave a lasting impression of a society on the brink, yet still clinging to its identity and traditions.