7:35

Schur's song '7:35' paints a vivid picture of a chaotic night filled with introspection, rebellion, and a search for connection. The lyrics open with the protagonist seeking solace in alcohol, a common escape from the mundanity and pressures of daily life. The mention of 'blacking out midweek' suggests a pattern of self-destructive behavior, hinting at deeper issues beneath the surface. The imagery of the sunset in a red cup symbolizes a fleeting moment of beauty amidst the haze of intoxication.

The song delves into the protagonist's internal struggle, personified by the 'voice in my head' that leads him astray. This voice, likened to a cigarette, represents a harmful addiction that the protagonist can't seem to shake. The reference to 'bad religion' and the 'new new testament' suggests a rejection of traditional values and a search for a new belief system, albeit one that is equally destructive. The protagonist's actions, such as hitting a hash pipe and contemplating running for president, reflect a sense of nihilism and a desire to escape societal norms.

As the night progresses, the protagonist's journey on the train becomes a metaphor for his search for meaning and connection. The interactions with strangers, including an old priest and a fellow drunk, highlight the protagonist's sense of alienation and his attempts to bridge the gap between himself and others. The priest's admonishment to 'repent' is met with defiance, reflecting the protagonist's rejection of conventional morality. The final encounter with the drunk man, who claims 'I'm you and you are me,' underscores the theme of shared human experience and the idea that everyone is struggling with their own demons. The song ends where it began, with the protagonist seeking another drink, suggesting a cyclical pattern of behavior that he is unable to break.