Brasileiro

Selvagens À Procura de Lei's song 'Brasileiro' serves as a poignant critique of contemporary Brazilian society. The lyrics delve into various aspects of the nation's identity, from its consumer culture to its historical amnesia. The opening lines, 'Então você é o novo povo brasileiro / Que vende e faz compras no estrangeiro,' highlight the modern Brazilian's obsession with foreign goods, juxtaposed against the fading memories of indigenous cultures. This contrast sets the stage for a broader commentary on how external influences overshadow local heritage and history.

The song also tackles the superficiality and escapism prevalent in Brazilian culture. References to 'Futebol e cerveja' and the media's role in shaping public perception ('Ta na Folha / No Povo / No Eclesiástico') underscore how entertainment and sensationalism often distract from more pressing societal issues. The line 'Nossos heróis de verdade morreram por covardia' suggests a loss of genuine role models, replaced by figures who lack the courage to confront real problems.

A recurring theme in 'Brasileiro' is the sense of stagnation and disillusionment. The chorus, 'Porque eu sou brasileiro / Meu ano só começa quando passa fevereiro,' reflects a cultural procrastination, where meaningful action is perpetually deferred. The song also addresses social inequality and the slow pace of progress ('A nação que corre com passos de tartaruga'). The stark statistic '17 milhões vivem nessa miséria' serves as a sobering reminder of the widespread poverty that persists despite the nation's potential for growth. Ultimately, 'Brasileiro' is a call to acknowledge and address these deep-seated issues rather than continue to ignore them.