Prototype

Septicflesh's song 'Prototype' delves into a dystopian future where humanity has been reduced to mere cogs in a machine, controlled by a higher, almost divine, authority. The lyrics paint a bleak picture of a society where individuality and emotions have been stripped away, replaced by a cold, mechanical existence. The repeated references to 'working, breeding' and 'a hidden code inside' suggest a world where humans are engineered and programmed to serve a specific purpose, much like worker bees in a hive. This imagery evokes a sense of loss and dehumanization, as people are no longer seen as individuals but as integral parts of a larger, oppressive system.

The song's chorus, with lines like 'We must control the masses' and 'We are the will divine,' highlights the authoritarian nature of this society. The rulers, or perhaps the creators, see themselves as god-like figures, wielding absolute power over the 'human machines' they have created. The term 'Clockwork empire' further emphasizes the rigid, mechanical nature of this world, where everything and everyone operates according to a predetermined plan. The 'prototype' mentioned in the lyrics symbolizes the first of these engineered beings, a 'lunatic demigod' with a 'faulty code inside,' suggesting that even in this controlled environment, imperfections and anomalies can still arise.

The song also reflects on the loss of humanity, with poignant lines like 'Once you were sentient beings with laughs and tears, now you are only human machines.' This contrast between the past and the present serves as a powerful reminder of what has been sacrificed in the name of progress and control. The 'humanoid toys that mimic living' are a chilling representation of what humanity has become—mere imitations of life, devoid of true emotions and individuality. The final lines, mentioning 'idols, archetypes, icons, and scarecrows,' suggest that even the symbols and figures that once held meaning have been reduced to hollow, lifeless forms in this dystopian world.