Ratamahatta

Sepultura's 'Ratamahatta' is a powerful song that delves into the raw and often overlooked aspects of urban Brazilian life. The lyrics, though sparse, are loaded with references to the favelas (Brazilian slums) and the marginalized communities that reside within them. The words 'Biboca, garagem, favela' repeat like a mantra, painting a picture of the makeshift and often precarious living conditions in these areas. The repetition of these words emphasizes the cyclical and inescapable nature of poverty that traps the inhabitants of the favelas.

The song also mentions iconic Brazilian figures such as Zé Do Caixão (Coffin Joe), Zumbi, and Lampião, who are emblematic of Brazilian culture and history. Zé Do Caixão is a character from Brazilian horror films, Zumbi is a historical figure and a symbol of resistance against slavery, and Lampião was a notorious bandit leader. By invoking these names, Sepultura connects the contemporary struggles of the favela residents with the country's past narratives of resistance and rebellion.

The chorus, with its simple 'hello' to different town sections, juxtaposed with the word 'Ratamahatta,' which is not a Portuguese word and seems to be a play on the English word 'rat-a-tat,' possibly mimicking the sound of gunfire or drumming, suggests a call to awareness. It's as if the band is greeting these different parts of society, acknowledging their existence, and perhaps calling for unity or attention to the issues faced by the less fortunate. The energetic and aggressive musical style of Sepultura, known for their thrash metal roots and later exploration of groove metal, complements the song's message, giving it a sense of urgency and raw power.