Muevete al hablar

Serú Girán Serú Girán

The Depths of Connection in 'Muevete al hablar' by Serú Girán

Serú Girán's song 'Muevete al hablar' delves into the complexities of human connection and the ineffable nature of love. The lyrics suggest that words are insufficient to capture the essence of true emotional and spiritual connection. The phrase 'muévete al hablar' (move when you speak) implies that actions and non-verbal communication are more telling than words. This sentiment is reinforced by the line 'quien escribe diccionarios, no está aquí para explicar qué mierda es el amor,' which criticizes the inadequacy of language to define love or explain our existence.

The song also explores themes of forgiveness and understanding. The lines 'Si hay que pedir perdón, te voy a perdonar' and 'ya no importan las excusas, ya no importa el qué dirán' suggest a willingness to move past grievances and societal judgments to achieve a deeper connection. The repeated plea 'déjame penetrar' (let me in) signifies a desire for intimacy that transcends superficial interactions. This longing for a profound bond is further emphasized by the recognition of the other person's true self, as seen in 'yo conozco tu mirada, yo ya sé cuando mentís.'

Finally, the song touches on the existential questions that arise from deep emotional experiences. The lines '¿Por qué todo es así? ¿Qué es lo que hiciste en mí?' reflect a sense of confusion and introspection. The recurring theme of forgetting ('comencé a olvidar') suggests that the presence of the other person has a transformative effect, allowing the speaker to let go of past pains and uncertainties. The song concludes with a poignant reflection on solitude and the elusive nature of fulfillment, encapsulated in 'sentiré que nada alcanza, sentiré que no hay piedad.' This ending leaves the listener contemplating the profound impact of human connections on our sense of self and our place in the world.

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  1. Peperina
  2. Cinema Verité
  3. Eiti Leda
  4. Llorando En El Espejo
  5. Mientras Miro Las Nuevas Olas
  6. Seminare
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