Toda Bêbada Canta

Silvia Machete's song 'Toda Bêbada Canta' is a raw and candid exploration of regret, self-awareness, and the human tendency to seek solace in vices. The lyrics paint a vivid picture of a woman returning home in a disheveled state, filled with remorse over her actions. The repetition of the phrase 'completamente arrependida' (completely regretful) underscores the depth of her regret, suggesting that her actions were out of character or led to undesirable consequences.

The imagery of drinking cachaça and smoking 'como Maria fumaça' (like a steam locomotive) adds a layer of cultural context, as cachaça is a traditional Brazilian spirit, and the comparison to a steam locomotive emphasizes the intensity and perhaps the recklessness of her behavior. This vivid metaphor not only highlights her indulgence but also serves as a critique of how people often turn to substances to cope with their emotions, only to find that the relief is temporary and the regret remains.

The repeated assertion 'Eu não sou nenhuma santa' (I am no saint) is a powerful declaration of self-awareness and acceptance of her flaws. It suggests a rejection of societal expectations of perfection, embracing her humanity instead. The final lines, 'Toda bêbada canta, la la la,' add a touch of irony and perhaps a sense of resignation. The act of singing while drunk can be seen as a metaphor for expressing one's true self, unfiltered and unrestrained, even if it comes with a sense of shame or regret. Through this song, Silvia Machete captures the complexity of human emotions and the struggle between self-indulgence and self-forgiveness.