Angola Es Una

Silvio Rodriguez's song 'Angola Es Una' is a poignant reflection on the shared suffering and resilience of the Angolan people. The lyrics paint a vivid picture of a nation plagued by poverty and hardship, symbolized by the 'casa de miseria' (house of misery) and 'tabla sucia y de remiendo' (dirty and patched-up boards). These images serve as metaphors for the widespread destitution and the lack of basic necessities that afflict the country. The repetition of these motifs underscores the pervasive and unchanging nature of these conditions, suggesting a cycle of poverty that is difficult to break.

The song also highlights the innocence lost due to the lack of education and opportunities, represented by 'la inocencia sin escuela' (innocence without school) and 'el mismo harapo sin juguete' (the same rag without a toy). These lines evoke a sense of despair and frustration, as the younger generation is deprived of the chance to improve their circumstances. The metaphor of the 'fuete' (whip) that punishes from border to border emphasizes the widespread and relentless nature of this suffering, affecting every corner of the nation.

Rodriguez's refrain, 'Angola es una como el deber' (Angola is one like duty), serves as a powerful call for unity and collective responsibility. Despite the external forces that have humiliated and oppressed them, the Angolan people are depicted as resilient and united in their struggle. The song's reference to the 'látigo inflexible' (inflexible whip) and the 'pueblo que ama y lucha' (people who love and fight) underscores the enduring spirit and determination of the nation. Through his evocative lyrics, Rodriguez not only sheds light on the harsh realities faced by Angola but also inspires a sense of solidarity and hope for a better future.