Vasallos

Sin Dios Sin Dios

The Betrayal of Ideals: A Critique of Commercialized Revolution

The song 'Vasallos' by Sin Dios is a scathing critique of bands and artists who start with revolutionary ideals but eventually succumb to the temptations of fame and money. The lyrics reflect a sense of betrayal felt by those who have remained true to their principles, as they see others abandon their cause for commercial success. The song begins by reminiscing about a time when music and activism were inseparable, with references to squats, free radios, and alternative labels. These were the foundations of a movement that sought to challenge the status quo and promote social change.

However, the tone quickly shifts to one of disillusionment and anger. The band accuses these 'sellouts' of being bought by the very system they once opposed. The lyrics question their current whereabouts and intentions, highlighting the hypocrisy of their actions. The term 'vasallos' (vassals) is used to describe these artists, implying that they have become subservient to the powers they once fought against. The song criticizes their superficial radicalism, accusing them of using revolutionary symbols and figures like Durruti and Che Guevara for personal gain.

Sin Dios also addresses the broader impact of this betrayal on the movement. They lament the years of hard work put in by countless individuals, only to see it undermined by those who prioritize profit over principles. The song ends on a hopeful note, expressing gratitude to the bands that have resisted the lure of commercial success and continue to believe in the revolution. This message serves as a call to action, urging listeners to remain vigilant and committed to their ideals, despite the challenges and temptations they may face.

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  1. Alerta Antifascista
  2. Inmigrante Ilegal
  3. Poema (hombre Que Mira Al Cielo)
  4. Unas Flores Con Sorpresa
  5. Banderas Negras
  6. Vasallos
  7. Cancion de Amor (Celda de Aislamiento)
  8. Bacalao
  9. Casa Okupada, Casa Encantada
  10. Hambre Negra, Expolio Blanco
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