Bacalao

Sin Dios's song 'Bacalao' is a powerful critique of modern youth culture and the escapism that often accompanies it. The lyrics paint a vivid picture of a society where young people, disillusioned by a lack of future prospects, turn to drugs and dance music as a form of escape. The song opens by highlighting the cyclical nature of trends, suggesting that what is presented as new and exciting is often just a rehash of the old. The reference to 'pills' and 'dancing' sets the stage for a deeper exploration of how these activities serve as distractions from more pressing societal issues.

The song's chorus, with its references to 'rave,' 'trance,' and 'dance,' underscores the hypnotic and numbing effects of these activities. The metaphor of the 'round horse' and the 'white feed' paints a grim picture of young people as livestock, mindlessly consuming what is given to them. This imagery is further reinforced by the lines about 'jumping' and 'kicking' until one's 'mortgaged body' is broken, suggesting a futile struggle against an oppressive system. The 'chill-out' section, where one can 'engorge drinks smarter than you,' serves as a temporary reprieve before returning to the grind, highlighting the cyclical nature of this escapism.

The song also touches on the commercialization and commodification of these subcultures. The 'gurus' of the party scene are depicted as enslaved by the same forces that control the masses, perpetuating a cycle of exploitation. The final verses bring a sense of urgency, with references to street celebrations and cosmic parties in squats, suggesting a rebellious undercurrent. However, the song ends on a somber note, acknowledging that even these acts of defiance are ultimately controlled by a more powerful system. The repeated call to 'dance' and 'soma' (a reference to the drug in Aldous Huxley's 'Brave New World') serves as a chilling reminder of the illusion of freedom in a controlled society.