Benda (feat. Heuss L'enfoiré)

In 'Benda,' Soolking and Heuss L'enfoiré paint a vivid picture of a life constantly on the move, filled with escapism and the pursuit of freedom. The song's lyrics are a whirlwind tour of various cities, from Malaga to Amsterdam, and even the streets of Wahran and Paname. This constant movement symbolizes a desire to escape from the pressures and responsibilities of everyday life. The repeated mention of owing 'lovés' (money) and not being present ('il est même pas là') suggests a life of evasion, where the protagonist is always one step ahead, avoiding debts and obligations.

The song also delves into the darker aspects of this lifestyle. References to 'khapta' (a term for being high or intoxicated) and criminal activities ('il fait bosser à té-cô,' 'il côtoie des mecs qui font les crimes tarifés') highlight the dangerous and often illegal means by which the protagonist sustains his nomadic existence. The lyrics suggest a cycle of crime and punishment, with lines like 'il finit au dépôt' and 'il fumera toute sa peine,' indicating that this lifestyle comes with its own set of consequences, including jail time and emotional tolls.

Cultural references are abundant, adding layers of meaning to the song. The mention of 'Bab El Oued' and 'Wahran' (Oran) ties the narrative to North African roots, while 'Paname' (Paris) and 'Amsterdam' evoke a broader European context. This blend of locations underscores the universal nature of the themes explored—escapism, the search for freedom, and the consequences of a life lived on the edge. The song's energetic beat and catchy chorus contrast with its deeper, more somber messages, creating a compelling juxtaposition that keeps listeners engaged while prompting them to reflect on the complexities of such a lifestyle.