The Dark Obsession in Supergrass's 'Mary'

Supergrass's song 'Mary' delves into the complexities of a tumultuous and possibly toxic relationship. The lyrics paint a picture of a protagonist who is both fascinated and disturbed by Mary, a girl who seems to be anything but ordinary. The repeated references to shocking her daily and pointing out her flaws suggest a dynamic where the protagonist exerts control and dominance, perhaps as a way to cope with his own insecurities and obsessions.

The song's imagery is vivid and unsettling, with lines like 'I'll have you eating from the palm of my hand' and 'The back of every head holds something obscene.' These phrases hint at a deeper, darker side to the protagonist's psyche, where manipulation and control are tools to keep Mary within his grasp. The metaphor of cutting strings and watching her fall apart at the seams further emphasizes the power imbalance and the protagonist's desire to dominate.

Musically, Supergrass is known for their energetic and eclectic style, often blending elements of rock, punk, and Britpop. 'Mary' fits within this framework but stands out for its darker lyrical content. The repetitive 'Ahh, ay, ya, ya' chant adds a haunting, almost hypnotic quality to the song, reinforcing the theme of obsession. The song's structure and melody create a sense of urgency and tension, mirroring the chaotic and controlling nature of the relationship it describes.

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  1. Mary
  2. Richard III
  3. Alright
  4. Moving
  5. Your Love
  6. Sun Hits The Sky
  7. Road To Rouen
  8. Tales Of Endurance (Parts 4, 5 & 6)
  9. St. Petersburg
  10. We Are Young
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