Panalivio Zancudito

Susana Baca's 'Panalivio Zancudito' is a poignant song that delves into themes of hardship, resilience, and the daily struggles faced by individuals, particularly those in marginalized communities. The song's lyrics are rich with metaphors and cultural references that paint a vivid picture of the challenges and the indomitable spirit of the people it represents.

The repeated phrase 'Panalivio malivio san' serves as a rhythmic anchor throughout the song, almost like a chant that underscores the narrative. The caporal, or overseer, with his whip in hand, symbolizes oppression and control, reminiscent of historical and ongoing struggles against authoritative figures. The comparison to a 'mal ladrón' (bad thief) and 'capitán de bandoleros' (captain of bandits) further emphasizes the corrupt and exploitative nature of those in power.

The imagery of cutting oneself with a sickle and the ensuing blood is a powerful metaphor for the physical and emotional toll of labor and poverty. The line 'No es la sangre que me sale / Sino que me mata el hambre' (It's not the blood that comes out / But the hunger that kills me) poignantly highlights the deeper issue of hunger and deprivation that plagues the individual more than the physical injury itself.

The mention of the 'zancudito' (little mosquito) that bites serves as a metaphor for the small but persistent nuisances and challenges that add to the larger struggles of life. The repeated curses against the mosquito reflect a sense of frustration and helplessness, yet also a form of resistance and resilience in the face of continuous adversity.

Susana Baca, a renowned Peruvian singer and ethnomusicologist, is known for her work in preserving and promoting Afro-Peruvian music. Her soulful voice and the traditional rhythms in 'Panalivio Zancudito' not only bring to life the struggles depicted in the lyrics but also celebrate the cultural heritage and resilience of the Afro-Peruvian community.