Zamba Malató

Susana Baca's 'Zamba Malató' is a vibrant celebration of Afro-Peruvian culture, blending traditional rhythms and dance forms to create a rich tapestry of sound and movement. The song's title itself, 'Zamba Malató,' references two distinct Afro-Peruvian musical styles: the zamba and the landó. These genres are deeply rooted in the African heritage of Peru, brought over by enslaved Africans and preserved through generations. Baca, a renowned ambassador of Afro-Peruvian music, uses this song to honor and revive these cultural expressions.

The lyrics of 'Zamba Malató' are a rhythmic incantation, with repeated phrases like 'Landó' and 'Zamba malató' creating a hypnotic effect. The song describes the zamba as it 'pasea por la batea' (walks through the basin), a metaphor for the dance's fluid and graceful movements. The imagery of a bird with a 'pecho colorao' (red chest) symbolizes the vibrant and passionate nature of the dance, while the mention of 'Babalorishá' connects the song to Afro-Brazilian religious traditions, specifically the worship of Orishas in Candomblé and Santería.

Baca's use of traditional Afro-Peruvian instruments and rhythms, combined with her soulful voice, brings the song to life. The repetitive and playful nature of the lyrics, with phrases like 'A la mucurú' and 'Oyokororó,' adds to the song's infectious energy. These nonsensical syllables are reminiscent of traditional African chants, emphasizing the song's roots in African musical traditions. Through 'Zamba Malató,' Susana Baca not only entertains but also educates listeners about the rich cultural heritage of Afro-Peruvian music, ensuring that these traditions continue to thrive in the modern world.