Gato Federal

Tabare Etcheverry's song 'Gato Federal' is a powerful narrative that delves into the historical and political struggles of Uruguay and its neighboring regions. The song is part of the musical work 'Crónicas de Hombres Libres' (Chronicles of Free Men), released in 1972, and it reflects on the complex interplay of foreign influence, local resistance, and the quest for national identity.

The lyrics begin with a recitation that sets the stage by introducing the recurring presence of foreign powers, now disguised as ambassadors, negotiating with local leaders. This imagery highlights the ongoing influence of colonial and imperial forces, particularly the British, who are metaphorically depicted as carving up the land for their own benefit. The song then transitions into a sung section that reflects on the formation of an independent nation, albeit one with limited resources and population, symbolized as a 'cradle between trunks.'

The recitation continues, describing a brief period of tranquility before foreign interests resurface, seeking to exploit the land for European gains. The lyrics emphasize the disruptive presence of these foreign powers, who are threatened by the resurgence of federalist ideas inspired by the revolutionary leader Artigas. The song references historical figures and events, such as Garibaldi and the support of European forces by local collaborators, to illustrate the ongoing struggle for autonomy and the resistance against imperial domination.

The final sung section calls for urgent communication with Juan Manuel de Rosas, a key figure in the fight against foreign intervention. The lyrics lament the loss of cultural identity in Montevideo, where Spanish is scarcely spoken, and rally for a return to the values and symbols of the past, such as the white emblem worn by Artigas. The song concludes with a call to arms, invoking the spirit of unity and resistance that characterized the early struggles for independence.