Oblivion

Terrorvision's song 'Oblivion' delves into the complexities of human decisions and their far-reaching consequences. The lyrics present a hypothetical scenario where the world's population camps out in one's backyard, posing a question of whether to join them or to report them to authority. This metaphorical garden represents a place of potential freedom and unity, but the decision to subject them to 'oblivion' highlights the ease with which people can choose exclusion and destruction over inclusion and harmony. The song critiques the tendency to opt for harsh measures when faced with the unknown or the inconvenient, reflecting on the broader implications of such choices in society.

The second verse brings historical context into the mix, referencing fabricated stories and conflicts stemming from past actions, specifically hinting at wartime atrocities. This verse suggests that the fear and paranoia born from past violence can perpetuate a cycle of conflict and repression. The mention of 'the sons of campers that you killed back in the forties' evokes the lingering impact of historical violence on future generations. The song challenges listeners to consider how past actions influence present decisions and the potential for ongoing conflict if we do not break the cycle.

The chorus, with its repeated lines 'I can't stand the things that they do to me, I won't wait for Jesus to prove to me,' underscores a sense of personal disillusionment and impatience with waiting for divine or external intervention. It reflects a desire for immediate change and a rejection of passive acceptance of injustice. The final lines, 'Oh goodness, my gracious, I hope it's not contagious,' suggest a fear of the spread of harmful ideologies and actions, emphasizing the importance of vigilance and responsibility in preventing the perpetuation of destructive behaviors. 'Oblivion' serves as a powerful commentary on the choices we make and their impact on both personal and societal levels.