Curses, Invocation

The Doors' song 'Curses, Invocation' is a vivid tapestry of surreal imagery and biting social commentary. Jim Morrison, the band's enigmatic frontman, uses a series of bizarre and grotesque characters to paint a picture of a chaotic and disordered world. The lyrics are filled with references to various societal archetypes, from 'large buxom obese queen' to 'shit hoarders and individualists,' each representing different facets of human nature and societal roles. These characters are not just random; they symbolize the absurdity and complexity of the human condition, highlighting the contradictions and flaws inherent in society.

The song's title, 'Curses, Invocation,' suggests a ritualistic summoning of these strange figures, almost as if Morrison is calling forth the hidden, darker aspects of humanity. The use of words like 'curses' and 'invocations' adds a mystical and almost occult layer to the song, implying that these societal issues are deeply rooted and perhaps even inescapable. The procession of characters, described as 'all strange orders of monsters,' creates a sense of a twisted parade, a carnival of chaos that welcomes the listener into its fold.

In the latter part of the song, Morrison shifts focus to the power of words. He describes words as tools that can grow and waver, emphasizing their potential to shape reality. The line 'I'll always be a word man, better than a bird man' underscores Morrison's belief in the transformative power of language. This reflects his role as a poet and a lyricist, someone who uses words to challenge, provoke, and inspire. The song, with its rich imagery and complex themes, serves as a testament to The Doors' unique ability to blend rock music with deep, thought-provoking poetry.