Seraphic Deviltry

Theatre of Tragedy's song 'Seraphic Deviltry' delves into the complex interplay between divinity and malevolence, exploring themes of power, servitude, and existential questioning. The lyrics are rich with archaic language and metaphors, creating a tapestry that reflects on the nature of a higher being who possesses both angelic and devilish qualities. The term 'seraphic deviltry' itself is a juxtaposition, blending the celestial with the infernal, suggesting that the divine can also harbor dark, destructive tendencies.

The song's protagonist seems to be in awe and confusion about the higher being's true nature. The being is described as ancient, with a power that spans the birth of a thousand stars, yet this power is wielded in ways that are both grand and malevolent. The lyrics mention 'a granditude of servants,' indicating that many are subjugated under this being's rule, possibly against their will. The phrase 'plastic consonantry' suggests a superficial or artificial harmony, hinting at the deceptive nature of the being's control over its followers.

The narrative takes a darker turn as it describes the being's demand for 'fatlings,' leading to starvation and self-destruction among the followers. This could be interpreted as a critique of blind faith and the self-destructive nature of following a corrupt leader. The protagonist reflects on past questions and the heavy burden of understanding this duality, ultimately recognizing the cyclical nature of the being's influence. The 'machine-like motion' and the rebuilding of the 'machine' with 'whetted and dight' edges symbolize the relentless and sharpened continuation of this destructive cycle.

The song's archaic language and complex metaphors invite listeners to ponder the duality of good and evil, the nature of power, and the consequences of blind servitude. It challenges the listener to question the true nature of divinity and the cost of unwavering loyalty to a higher power that may not have their best interests at heart.