Flow de Barrio

Tiago PZK's 'Flow de Barrio' is a vivid portrayal of life in the barrios, or neighborhoods, of Argentina. The song captures the essence of the daily struggles and dreams of the youth, referred to as 'wachine,' who aspire to rise above their circumstances. The lyrics paint a picture of a community where the path to success is fraught with challenges, from the communal dining halls to the ever-present threat of violence, symbolized by 'el fierro en la mano' (the iron in the hand).

The recurring sound of 'plo-plo-plo-plo' in the hood is a metaphor for the constant tension and activity in these neighborhoods. It represents both the sounds of danger and the rhythm of life that the residents have grown accustomed to. The song also highlights the duality of life in the barrio, where people engage in everyday activities like buying beer at three in the morning while simultaneously navigating the dangers posed by the police and other threats. This duality is further emphasized by the line 'la mitad trabaja y el resto está pa'l derroche' (half work and the rest are for waste), illustrating the stark contrast between those striving for a better life and those caught in a cycle of indulgence.

Tiago PZK also touches on cultural elements, such as the reverence for El Gauchito, a folk saint in Argentina, and the communal spirit that binds the residents together. The song's chorus, with its call to dance ('todas perrean, todos perrean'), serves as a reminder of the joy and resilience that persist despite the hardships. 'Flow de Barrio' is not just a song; it's a narrative of survival, community, and the unyielding spirit of the barrio.