Che Bartolo

Tita Merello's song "Che Bartolo" is a vivid portrayal of a character who is trying to disguise his true identity and origins. The lyrics are rich with Argentine slang and cultural references, painting a picture of a man, Bartolo, who is attempting to present himself as someone of higher social standing than he truly is. The song is a critique of pretentiousness and the lengths to which people will go to fit into a society that may not accept them for who they are.

The song opens with a direct confrontation, where the narrator challenges Bartolo's facade. The use of terms like "gran viviyo de aspamento" (a big show-off) and "malandrín de meta y ponga" (a rogue of tricks and deceit) sets the tone for the rest of the song. The narrator is not fooled by Bartolo's attempts to appear sophisticated and calls him out for his pretentious behavior. The mention of a "ponchazo" (a punch) metaphorically suggests a reality check that Bartolo needs to face.

Throughout the song, Merello uses vivid imagery and cultural references to highlight Bartolo's deceit. The moniker "marqués de bocanegra" (Marquis of Blackmouth) is a sarcastic title given to Bartolo by those who see through his act. The song also touches on themes of social mobility and the struggle to maintain one's identity in the face of societal pressures. The reference to Bartolo's father, who is described as a "curdela" (drunkard) dragging his old age through taverns, contrasts sharply with Bartolo's attempts to appear noble and refined.

In the chorus, the narrator implores Bartolo to drop the pretense and embrace his true self. The line "como reo, yo te pido que dejés el apellido de aquel noble genovés" (as a rogue, I ask you to drop the surname of that noble Genoese) is a powerful plea for authenticity. The song ultimately serves as a reminder that true respect and acceptance come from being genuine, rather than from putting on a false front.