Garufa

Tita Merello's song "Garufa" paints a vivid picture of a character who leads a double life, embodying the contrasts and complexities of early 20th-century Buenos Aires. The protagonist, Garufa, is a man of the neighborhood, known for his flashy and extravagant lifestyle. The term "rana" in the lyrics refers to someone who is cunning and street-smart, while "bacán" denotes someone who is wealthy and stylish. Garufa is a man of pretensions, likened to a showgirl who has made a name for herself with a popular tango. This duality is central to the song's narrative, highlighting the tension between his hardworking weekdays and his flamboyant weekend persona.

During the week, Garufa is described as a diligent worker, but come Saturday night, he transforms into a "doctor" of nightlife. He dons his best attire, complete with spats and a stiff collar, and heads to the city center to make a grand entrance. This transformation is not just about clothing but also about attitude and behavior. Garufa becomes the life of the party, a figure of fun and excess, much to the chagrin of his mother, who considers him a lost cause. The mention of the "parque japonés" (Japanese park) adds a touch of exoticism and hints at the diverse influences in Buenos Aires' cultural scene at the time.

Garufa's escapades continue as he frequents the milonga, a traditional tango dance hall, where he becomes the center of attention for the women. His ability to dance various styles, from the Marseillaise to the Garibaldi march, showcases his versatility and charm. The night ends with a simple meal of coffee with milk and an ensaimada, a sweet pastry, symbolizing a return to normalcy after a night of revelry. As he heads home at dawn, Garufa proudly declares himself a "phenomenal rana," embracing his dual identity and the contradictions that come with it. Through this character, Tita Merello captures the spirit of a city and an era, blending humor, social commentary, and the timeless allure of tango.