Bichos Escrotos

Titãs Titãs

A Satirical Critique of Society in 'Bichos Escrotos' by Titãs

The song 'Bichos Escrotos' by Titãs is a powerful and satirical critique of society, using vivid and provocative imagery to convey its message. The lyrics call out various 'creatures'—cockroaches, rats, fleas, and other pests—urging them to come out of hiding and invade the spaces of 'civilized' citizens. This metaphorical language serves to highlight the hypocrisy and decay within society, suggesting that the so-called 'civilized' world is just as corrupt and filthy as the sewers and trash heaps where these creatures dwell.

The repetition of phrases like 'Bichos escrotos, saiam dos esgotos' (Disgusting creatures, come out of the sewers) and 'Entrem nos sapatos do cidadão civilizado' (Enter the shoes of the civilized citizen) underscores the song's central theme: the thin veneer of civility that masks underlying corruption and moral decay. By inviting these 'disgusting creatures' to 'enfeitar' (decorate) their homes and meals, the song sarcastically suggests that these pests are no worse than the people who consider themselves above them.

Titãs, known for their punk rock and post-punk influences, often tackle social and political issues in their music. 'Bichos Escrotos' is no exception, using raw and confrontational language to challenge listeners to reflect on the true nature of their society. The song's aggressive tone and rebellious spirit are characteristic of the band's style, making it a memorable and impactful piece that continues to resonate with audiences.

The song's cultural context is also significant. Released during a time of political and social upheaval in Brazil, 'Bichos Escrotos' can be seen as a response to the widespread corruption and inequality that plagued the country. By using the metaphor of 'disgusting creatures,' Titãs effectively criticize the moral and ethical failings of those in power, as well as the complacency of ordinary citizens who allow such conditions to persist.

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  1. Flores
  2. Sonífera Ilha
  3. Apocalipse Só
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  5. Epitáfio
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