Apocalipsom A (O Fim no Palco do Começo)

Tom Zé's 'Apocalipsom A (O Fim no Palco do Começo)' is a rich tapestry of cultural, philosophical, and social commentary. The song opens with a solemn agreement between the Devil and God to unite faith and knowledge in marriage. This union symbolizes the blending of spiritual belief and intellectual pursuit, suggesting that true enlightenment comes from the harmony of both realms. The reference to Aristotelian knowledge and Moorish culture further emphasizes the merging of different traditions and wisdoms to create a 'duplicated treasure.'

The song then describes a grand wedding attended by a diverse cast of divine and cultural figures, from Greek gods like Apollo and Diana to Brazilian icons like Macunaíma and Chiquinha Gonzaga. This eclectic gathering represents the universality of the themes being explored, transcending time and geography. The presence of the Devil as a bank manager, a nod to Bertolt Brecht, adds a layer of critique on capitalism and societal structures, highlighting the pervasive influence of materialism even in sacred or intellectual spaces.

As the song progresses, it shifts focus to the rapid maturation of young girls, who navigate a world of contradictions and societal expectations. These girls, described as both clever and disruptive, challenge norms and resist control, embodying a spirit of rebellion and independence. The song concludes with a nod to 'Tropicália,' a Brazilian cultural movement that blended traditional and modern elements, much like the marriage of faith and knowledge. By reciting 'Noblesse Oblige' and 'Quod erat demonstrandum,' the song underscores the responsibilities that come with privilege and the pursuit of truth, ultimately celebrating the transformative power of culture and intellect.