Tropicalea Jacta Est

Tom Zé Tom Zé

Navigating Through Time and Revolution: The Odyssey of 'Tropicalea Jacta Est'

Tom Zé's 'Tropicalea Jacta Est' is a rich tapestry of historical, cultural, and technological references, woven together to create a narrative that spans centuries. The song's title itself is a play on words, combining 'Tropicalia,' a Brazilian cultural movement, with 'Alea jacta est,' a Latin phrase meaning 'the die is cast.' This sets the stage for a journey that is both reflective and forward-looking.

The lyrics begin with a surreal scene involving mythological and historical figures like Baco (Bacchus) and references to the 1960s, a pivotal decade for Brazil. The mention of 'dois que antes da cela - da ditadura' (two before the cell - of the dictatorship) likely refers to the artists and intellectuals who resisted Brazil's military dictatorship. This period was marked by censorship and repression, but also by a flourishing of creative resistance. The song pays homage to these figures, likening them to navigators who guided Brazil through turbulent waters.

Technology and industrialization are recurring themes in the song. The lyrics speak of the urgency to 'sair da tunda' (leave the beating) and move towards the 'Segunda Revolução Industrial' (Second Industrial Revolution). This reflects a desire for progress and modernization, but also a recognition of the challenges that come with it. The song juxtaposes the medieval past with the technological future, suggesting that Brazil is on a journey from its 'Idade Média' (Middle Ages) to the 'era do pré-sal' (pre-salt era), a reference to the country's oil reserves.

Cultural references abound, from 'Domingo no parque' (Sunday in the park) to 'Torquato Neto / do Piauí,' a nod to the influential poet and songwriter. The song also touches on themes of identity and belonging, with lines like 'Pinta no verso / do céu daqui' (Paints in the verse / of the sky here) and 'Desfolha a bandeira e renuncia' (Unfurls the flag and renounces). These lines evoke a sense of national pride and a longing for a better future, while also acknowledging the complexities and contradictions of Brazilian society.

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  1. São, São Paulo
  2. Parque Industrial
  3. Augusta, Angélica e Consolação
  4. Cego Com Cego
  5. Tropicalea Jacta Est
  6. Apocalipsom A (O Fim no Palco do Começo)
  7. Solidão
  8. Dor e Dor
  9. O Anfitrião
  10. Senhor Cidadão
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