Corrido de São Bento Grande

Tonho Matéria Tonho Matéria

The Rhythmic Spirit of Capoeira in 'Corrido de São Bento Grande'

Tonho Matéria's 'Corrido de São Bento Grande' is a vibrant celebration of capoeira, a Brazilian martial art that combines elements of dance, acrobatics, and music. The song's lyrics paint a vivid picture of a capoeira roda, where participants engage in a dynamic and rhythmic exchange of movements. The mention of traditional instruments like the berimbau, pandeiro, and atabaque underscores the cultural richness and historical significance of capoeira, which originated among African slaves in Brazil as a form of resistance and self-expression.

The song begins with an enthusiastic description of a group of people playing capoeira, highlighting the communal and inclusive nature of the practice. The lyrics emphasize the importance of skill and agility, with references to various capoeira moves such as 'meia lua' and 'rabo de arraia.' The phrase 'Escrevi o meu nome no fio de arame' metaphorically suggests leaving a mark or making a name for oneself through participation in the capoeira roda. This line captures the essence of capoeira as not just a physical activity but also a means of personal and communal identity.

As the song progresses, it delves into the challenges and dangers inherent in capoeira. The mention of a 'navalha' (razor) and the ensuing injury serves as a stark reminder of the real risks involved. However, the protagonist's response—kneeling at the foot of the berimbau and beginning to pray—reflects the deep spiritual connection and resilience that capoeira fosters. The closing lines, with their rhythmic and melodic repetition, evoke the hypnotic and meditative quality of capoeira music, drawing listeners into the heart of this powerful cultural tradition.

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  1. Água de Beber Camará, Um Culto aos Ancestrais na Capoeira
  2. Revolta da Chibata
  3. Corrido de São Bento Grande
  4. Vieram Três Pra Bater No Negro
  5. Samba Duro (Melô do Tchaco)
  6. A Roda Vai Pegar Fogo
  7. Viva a Capoeira
  8. Dança da Malandragem
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