Vieram Três Pra Bater No Negro

The song 'Vieram Tres Pra Bater No Negro' by Tonho Matéria is a tribute to the legendary figure of Besouro Mangangá, a celebrated capoeira fighter from the early 20th century in Brazil. The lyrics tell a story of resilience and the extraordinary abilities attributed to Besouro, who was known for his capoeira skills and his fight against oppression.

The song begins with a confrontation where three men come to attack 'the black man' with weapons. The lyrics highlight the protagonist's ability to defend himself by using capoeira, a martial art that combines elements of dance, acrobatics, and music, which was developed by African slaves in Brazil as a form of resistance. The phrase 'Troca as mãos pelos pés e os pés pelas mãos' (Swaps hands for feet and feet for hands) illustrates the agility and unpredictability of capoeira movements, which can confuse and overpower opponents.

Besouro Mangangá is described as a 'mandingueiro,' a term that refers to someone who practices mandinga, which in the context of capoeira, is associated with magical or mystical abilities to protect oneself. The song emphasizes Besouro's quick strikes and his 'closed body,' which is a reference to the belief that certain capoeiristas could make themselves invulnerable to physical harm through spiritual protection. Overall, the song celebrates the legacy of Besouro Mangangá as a symbol of resistance and the Afro-Brazilian cultural heritage.