Paranoia

Tren Lokote's song 'Paranoia' is a raw and unfiltered portrayal of life in the streets, filled with vivid imagery and stark realities. The artist, hailing from Guanatos (Guadalajara), uses his lyrics to paint a picture of the struggles and dangers that come with his environment. The opening lines set the tone, with references to smoking marijuana and the red eyes that come with it, symbolizing a state of constant alertness and perhaps a coping mechanism for the harsh realities faced daily.

The lyrics delve into themes of loyalty, betrayal, and survival. Tren Lokote speaks about the lack of support he received while 'cooking' (likely a metaphor for creating his music or hustling), only for people to want a piece of his success once he made it. This sentiment is common in many narratives of street life, where trust is scarce, and everyone is looking out for themselves. The line 'Lo que llega un día se va, lo bueno algún día vendrá' reflects a philosophical acceptance of life's transient nature, suggesting that both good and bad times are temporary.

Violence and retribution are also central themes in 'Paranoia.' Tren Lokote mentions paying back favors and dealing with enemies in a ruthless manner, indicating a code of conduct that governs street interactions. The artist's fearless attitude towards death, as he acknowledges that 'nadie es eterno' (no one is eternal), further underscores the perilous nature of his world. The closing lines, 'Las calles son un cagadero, esto se lleno de culeros,' bluntly describe the streets as a mess filled with untrustworthy people, encapsulating the song's overarching sense of paranoia and vigilance.