Pisa no toco
Umbanda
The Mystical Dance of Exú: A Journey Through Umbanda
The song 'Pisa no toco' by Umbanda is a vibrant and spiritually rich piece that delves into the mystical world of Afro-Brazilian religion. The lyrics are a homage to Exú, a powerful deity in the Umbanda and Candomblé traditions, known as the messenger between the human and spiritual realms. Exú is often depicted as a trickster and a protector, embodying the duality of chaos and order. The repetitive nature of the lyrics, with phrases like 'Exú pisa no toco' and 'Exú pisa no galho,' emphasizes the deity's resilience and balance, symbolizing his ability to navigate the complexities of life without faltering.
The mention of Santo Antonio, a syncretic figure often associated with Exú, adds another layer of cultural depth. Santo Antonio is a beloved saint in Brazilian Catholicism, and his inclusion in the song highlights the blending of African and Christian traditions that is characteristic of Umbanda. The imagery of 'tocou fogo no paiol' (setting fire to the barn) can be interpreted as a metaphor for transformation and purification, a common theme in spiritual practices where fire symbolizes the burning away of impurities.
The lines 'Chuva grossa não me molha, Sereno quer me molhar' further illustrate the protective nature of Exú. Despite the challenges and adversities symbolized by the heavy rain and dew, the singer remains untouched, under the guardianship of Exú. This reflects a deep sense of faith and trust in the deity's power to shield and guide through life's trials. The song, with its rhythmic and repetitive structure, serves not only as a musical piece but also as a spiritual invocation, calling upon Exú's presence and blessings.