Ponto de Subida de Eu

Umbanda Umbanda

Embracing the Spiritual Journey: A Dive into 'Ponto de Subida de Eu'

The song 'Ponto de Subida de Eu' by Umbanda delves deep into themes of spirituality, death, and protection, reflecting the rich cultural and religious tapestry of Afro-Brazilian traditions. The lyrics open with a stark image of a cold slab, likely referencing a grave or tombstone, setting a somber tone that speaks to the inevitability of death and the connection to the afterlife. The mention of the cemetery and the assertion 'É de lá que eu sou' (It's from there that I am) suggests a profound acceptance and identification with the spiritual realm, a common theme in Umbanda, where the dead and the living are seen as interconnected.

The repeated reference to 'Calunga,' a term often used in Afro-Brazilian religions to denote the sea or the cemetery, symbolizes the boundary between the physical and spiritual worlds. The lyrics 'Se a Calunga chora, eu choro também' (If Calunga cries, I cry too) highlight a deep empathy and connection with the spiritual forces, indicating that the singer's emotions are intertwined with the spiritual entities. This line underscores the belief in the reciprocal relationship between humans and spirits, a cornerstone of Umbanda practice.

The final verses offer a sense of agency and devotion, with the singer expressing willingness to stay, go, or protect based on the needs of another. This flexibility and readiness to serve reflect the role of spiritual guides and protectors in Umbanda, who are believed to assist and safeguard the living. The song, therefore, not only explores themes of death and the afterlife but also emphasizes the importance of spiritual guidance and protection, encapsulating the essence of Umbanda's spiritual philosophy.

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  1. Tranca Rua Das Almas
  2. Exú Tranca Rua Das Almas
  3. Hino da Umbanda
  4. Preto Velho
  5. Como É Lindo o Canto de Iemanjá
  6. Oxum aieie...
  7. Ogum (Sete Espadas)
  8. Mariazinha Sacode a Saia
  9. Zé Pelintra Quando Vem de Alagoas
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