Não Era Meia-Noite, Era Quase Meio-Dia

Umbanda Umbanda

Mystical Encounters and Betrayal in 'Não Era Meia-Noite, Era Quase Meio-Dia'

The song 'Não Era Meia-Noite, Era Quase Meio-Dia' by Umbanda delves into a world of mysticism, spiritual encounters, and the unsettling presence of the supernatural. The title itself, which translates to 'It Wasn't Midnight, It Was Almost Noon,' sets the stage for a surreal experience that blurs the lines between day and night, life and death. The lyrics describe a cemetery scene where a priest is praying, and a corpse begins to move, invoking a sense of eerie unease. The repeated plea to Saint Anthony for protection against witchcraft underscores the fear and tension present in the narrative.

The song further explores themes of spiritual warfare and the presence of dark forces. The imagery of lit candles, a goat at a crossroads, and wailing souls paints a vivid picture of a ritualistic setting. The mention of a laughing woman and a visiting owl adds to the atmosphere of foreboding and supernatural intervention. The protagonist's call for Mulambo, a spirit in Afro-Brazilian religions, to come to their aid highlights the reliance on spiritual entities for protection and guidance in the face of malevolent forces.

In the latter part of the song, the lyrics shift to a reflection on betrayal and retribution. The proverb 'He who lives by the sword, dies by the sword' is invoked to emphasize the inevitability of karmic justice. The pain of betrayal, especially when it comes from a close friend, is poignantly expressed, adding a layer of personal anguish to the mystical and eerie narrative. This blend of supernatural elements with human emotions creates a rich tapestry that speaks to the complexities of faith, fear, and the consequences of one's actions.

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  1. Tranca Rua Das Almas
  2. Exú Tranca Rua Das Almas
  3. Iansã
  4. Quem Nunca Viu
  5. Festa Do Exú Tiriri
  6. Ponto de Pomba Gira Cigana
  7. Oxossi (saudação)
  8. Pedrinho
  9. Baianinha
  10. Xangô Justiça
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