Las Cuatro Esquinas
Victor Jara
The Symbolism of Four Corners in Victor Jara's 'Las Cuatro Esquinas'
Victor Jara's song 'Las Cuatro Esquinas' is a poetic exploration of love and the comforting simplicity of life. The recurring motif of 'four corners' serves as a metaphor for stability and structure. Jara begins by comparing the four corners of a picture frame to the four corners of his handkerchief and bed, symbolizing the essential elements that bring him comfort and solace. The repetition of 'Mi vida' (My life) emphasizes the personal and intimate nature of these symbols, suggesting that these simple, everyday objects hold profound emotional significance for him.
The song then shifts to a more direct expression of affection with the lines 'Cuatro letras con erre / Tiene mi amada' (Four letters with an 'r' / My beloved has). This could be a playful reference to the name of his beloved, adding a layer of personal intimacy to the song. The imagery of 'rosa rosita, / Rosa rosada' (little rose, / pink rose) further enhances the romantic tone, using the rose as a timeless symbol of love and beauty. The repetition of 'rosa' and the addition of 'dalia' (dahlia) create a vivid picture of a blooming garden, symbolizing the flourishing of love.
The final lines, 'No hay niña que no tenga / Blanca la enagua' (There is no girl who doesn't have / a white petticoat), and 'Anda, rosa con dalia, / Blanca la enagua' (Go, rose with dahlia, / white petticoat), evoke a sense of purity and innocence. The white petticoat is a traditional garment, symbolizing the purity and simplicity of young love. By combining these images, Jara creates a rich tapestry of love, comfort, and simplicity, celebrating the beauty of everyday life and the profound emotions found within it.