Cerca

Walls' song 'Cerca' delves into the complexities of modern life, identity, and resistance. The lyrics open with a critique of societal norms and the superficiality of contemporary culture. The artist uses metaphors like 'muñecos sin hilo' (puppets without strings) and 'perro sin bozal' (dog without a muzzle) to describe people who lack autonomy and are controlled by external forces. This imagery sets the stage for a broader commentary on the importance of self-awareness and the dangers of conforming to societal expectations. The line 'Que tu conciencia esté sucia, y sucia se morirá' (Let your conscience be dirty, and dirty it will die) underscores the moral decay that comes from ignoring one's inner voice.

The chorus, with its repetitive 'no no no,' serves as a powerful declaration of resistance. Walls expresses a desire to remain true to oneself and not be changed by the world. The phrase 'Voy a coger el dolor y lo voy a mezclar con menta' (I will take the pain and mix it with mint) suggests a coping mechanism, blending bitterness with something refreshing to make it more bearable. This metaphor highlights the artist's resilience and ability to transform negative experiences into something manageable.

In the latter part of the song, Walls explores personal identity and the struggle between societal expectations and individual desires. The artist describes himself as a 'nómada' (nomad), constantly shifting between different states of being and locations. This nomadic lifestyle symbolizes a quest for self-discovery and freedom. The declaration 'ahora soy un King, yo ya no soy un noble' (now I am a King, I am no longer a noble) signifies a transformation and empowerment, moving from a position of subservience to one of authority and self-assurance. The song concludes with a vow to leave a lasting impact, both personally and culturally, encapsulated in the line 'hasta que mi país se tatue una uve doble' (until my country tattoos a double V).