PANTANO

WOS's song 'PANTANO' delves into the murky waters of human emotions, capturing the essence of internal struggle and existential contemplation. The title itself, which translates to 'swamp,' sets the tone for a journey through a landscape filled with both loss and gain. The opening lines, 'Desgano / Mirando lo que pierdo, también lo que gano,' reflect a sense of apathy and the duality of life, where every loss is counterbalanced by a gain, and vice versa. This room, now a swamp, symbolizes a state of stagnation and entrapment, where even simple pleasures like 'Pan en la mesa, bien tano / Piña colada, americano' feel like fleeting distractions.

The song's lyrics are rich with metaphors and vivid imagery. WOS attempts to confront harsh truths, 'Intento pegarte la verdad en la cara,' but finds them to be well-entrenched lies. The 'degradé' he mentions signifies a gradual decline, yet he finds a strange comfort in it. The 'puñalada' of a cold tongue and the 'perro senil' biting at nothingness evoke feelings of betrayal and futility. These lines paint a picture of someone grappling with inner demons, trying to find clarity in the dark, 'queriendo acertar con las luces apagadas.'

The recurring theme of 'nada'—nothingness—highlights the protagonist's sense of emptiness and frustration. Nights filled with 'maquineo interno' or internal overthinking lead to no resolutions, only more questions. The search for the 'lado frío de la almohada' symbolizes a desperate quest for comfort and answers that remain elusive. Despite the heaviness, there's a glimmer of resilience. WOS speaks of maintaining his 'soltura' and 'blandura,' essential qualities for navigating life's challenges without breaking. The song concludes with a powerful image of rebirth, 'Gritando y sangrando como un recién nacido,' suggesting that through this painful journey, there's hope for self-reconnection and renewal.