DRUGSTORY

Yung Beef's 'DRUGSTORY' is a raw and unfiltered portrayal of the harsh realities of street life and the drug trade. The song opens with a declaration of the artist's identity and a nod to his collaborators, setting the stage for a narrative that is both personal and reflective of a broader urban experience. The lyrics delve into the struggles of trying to make it big or die trying, a common theme in the world of hustling. Yung Beef speaks to the transformation he has undergone due to the streets, admitting that he has become a 'monster' and highlighting the anonymity that often accompanies crime—'no hay crimen si no hay rostro' (there's no crime if there's no face).

The song also touches on themes of loyalty and survival. Yung Beef mentions his dedication to his friends and family, even as he navigates the dangerous world of drug dealing. He juxtaposes his noble intentions with the harsh actions he must take to survive, such as selling clothes at the flea market or dealing drugs. The recurring mention of 'zorra' (bitch) and other derogatory terms underscores the rough and often misogynistic environment he inhabits. Despite the grim circumstances, there is a sense of pride and resilience in his words, as he boasts about his ability to make money and stay 'clean.'

'Yung Beef' also explores the glamorization and pitfalls of the drug trade. He references iconic figures and moments in drug culture, such as the invention of crack in the '80s, and uses metaphors like 'tocando keys como Beethoven' (playing keys like Beethoven) to illustrate his proficiency in the trade. The song's title, 'DRUGSTORY,' is a play on 'drug story,' emphasizing that this is not just a tale of drugs but a complex narrative involving love, loyalty, and survival. The artist's gritty delivery and vivid imagery paint a stark picture of a life that is both alluring and perilous, making 'DRUGSTORY' a compelling listen for those interested in the darker side of urban life.