Bienal

Zeca Baleiro's song 'Bienal' is a playful yet profound exploration of modern art and its often perplexing nature. The lyrics are a satirical take on the avant-garde art scene, filled with absurd and surreal imagery that challenges traditional notions of what constitutes art. By using unconventional materials like 'molecules of hydrogen,' 'fios de pentelho de um velho armênio,' and 'cuspe de mosca,' Baleiro mocks the pretentiousness often associated with contemporary art. His work is described as a blend of various art movements, from 'barrococó figurativo neo-expressionista' to 'arte nouveau pós-surrealista,' highlighting the eclectic and often confusing nature of modern artistic expression.

The song also delves into the generational gap in understanding art. Baleiro recounts his mother's bewildered reaction to his work, comparing it to 'o cu da jia' and 'um hipopótamo insone.' This humorous yet poignant moment underscores the difficulty many people face in appreciating modern art, which often requires a deeper understanding of its context and subtext. The artist suggests that to truly grasp his 'trabalho tão moderno,' one must engage with complex concepts like the 'produto bruto interno' and the 'valor das contas de água, luz e telefone,' further emphasizing the intellectual demands of contemporary art.

Baleiro's lyrics also celebrate the transformative power of art. He speaks of 'desmaterializando a matéria' and 'reinvento o céu e o inferno,' suggesting that art has the ability to transcend physical limitations and reshape reality. The references to Basquiat and New York, along with the playful imagery of 'picharei com dendê de vatapá' and 'uma psicodélica baiana,' highlight the global and multicultural influences that shape his artistic vision. Ultimately, 'Bienal' is a testament to the boundless creativity and irreverence that define Zeca Baleiro's approach to art and music.