MILABO

Zutomayo's song 'MILABO' delves into the intricate dance of vulnerability, self-discovery, and the fear of judgment. The lyrics paint a picture of someone who is hesitant to fully express themselves, fearing the repercussions of being truly known. The repeated plea, 'atashi no koto shiranaide ingaouhou shikaranaide' (don't know me, don't judge me), underscores a deep-seated anxiety about being misunderstood or rejected. This sentiment is further emphasized by the lines 'anata ni ikudo mo fureta tte daitai chotto dake tonchi' (even if I touch you many times, it's just a little bit of wit), suggesting a struggle to connect on a deeper level despite repeated attempts.

The song also explores the theme of change and the desire for acceptance. The protagonist acknowledges their evolving nature with the lines 'kawatte yuku kara watashi ne motto' (because I will change more), and yet, there's a yearning for validation and recognition, as seen in 'nee, mitodokete hoshigari demo' (hey, even if I want you to acknowledge me). This duality of wanting to be seen and yet fearing the consequences of being truly known creates a poignant tension throughout the song.

Cultural references, such as the 'miraa booru' (mirror ball), evoke imagery of a dance floor, symbolizing the performative aspects of life and the masks we wear. The mirror ball, often associated with disco and dance, reflects light in multiple directions, much like how the protagonist's emotions and thoughts are scattered and multifaceted. The song's rhythm and melody complement this theme, creating a sense of movement and fluidity, mirroring the protagonist's internal struggle and journey towards self-acceptance.