Tango Medroso

Cri-Cri, also known as Francisco Gabilondo Soler, is a beloved Mexican composer and performer, often referred to as the 'Grillito Cantor' (Little Singing Cricket). His song 'Tango Medroso' delves into the eerie and mysterious atmosphere of the night, blending elements of fear and protection through vivid imagery and metaphors.

The song opens with a series of sounds that evoke a sense of unease: the crowing of a rooster, the neighing of a horse, and the barking of a dog. These sounds are traditionally associated with the early hours of the morning and the presence of danger or intruders. The creaking of an old door and the knocking of a door knocker further enhance the feeling of suspense. The imagery of a thunderstorm, with lightning illuminating the scene and thunder roaring like a cannon, adds to the tension, while the rhythm of the rain on the roof is likened to a 'tango compadrón,' a bold and assertive dance.

In the midst of this unsettling night, the figure of the owl emerges as a symbol of wisdom and protection. The owl, flying silently and observing everything, is portrayed as a guardian that hunts down nightmares, depicted as vultures preying on the innocent. This metaphor highlights the owl's role in safeguarding those who 'think well,' or the virtuous, from the disturbances of the night. The owl's actions are described with a sense of triumph and disdain for the nightmares, emphasizing its effectiveness in dispelling fear.

The narrator's personal fear of the dark and the unknown is a central theme in the song. Despite not being brave, the narrator finds solace in the presence of the owl, calling out to it for protection against the nightmares. This plea underscores the human tendency to seek comfort and security in the face of fear, and the owl's role as a protector becomes even more significant. The song beautifully captures the interplay between fear and reassurance, using the night as a backdrop for this timeless struggle.