Corrèque et réguyer

Édith Piaf Édith Piaf

The Complex Dance of Power and Morality in 'Corrèque et réguyer'

Édith Piaf's song 'Corrèque et réguyer' delves into the intricate dynamics of power, control, and morality within a relationship. The narrative centers around Totor and Totoche, a couple entangled in a web of economic and emotional dependencies. Totor is depicted as a meticulous and controlling figure, managing every aspect of their lives with an iron fist. He is not just a man but a 'demon' during work hours, ensuring everything runs smoothly and efficiently. However, outside of his professional demeanor, he transforms into a 'sheep,' indicating a stark contrast between his public and private personas.

The song also explores the theme of financial independence and autonomy. Totoche, despite being under Totor's control, has the freedom to earn and spend her money as she pleases. This aspect of their relationship highlights a complex balance of power, where Totoche's financial activities are both a source of independence and a point of contention. Totor's pragmatic approach to Totoche's earnings—allowing her to invest and manage her finances—reflects a modern, albeit transactional, view of relationships where economic contributions are meticulously accounted for.

The climax of the song reveals a moral confrontation when Totoche is seen with another man, Tatave. Totor's reaction is initially one of betrayal and anger, but it quickly shifts to a pragmatic resolution. The dialogue between Totor and Tatave underscores a code of conduct that Totor adheres to, emphasizing fairness and a sense of justice, albeit in a rough and ready manner. The phrase 'Corrèque et réguyer' encapsulates this ethos, suggesting a need to balance the scales and ensure that everyone gets their due, maintaining a semblance of order and morality in their chaotic world.

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  1. Hymne à l'amour
  2. Non, je ne regrette rien
  3. La Vie En Rose
  4. Milord
  5. Mon Dieu
  6. Padam padam
  7. C'est toi
  8. Notre-Dame de Paris
  9. Rien de rien
  10. C'est Si Bon
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