Suite Los Noticieros Cinematográficos

Les Luthiers' song "Suite Los Noticieros Cinematográficos" is a brilliant satire that mimics the format of old newsreels, blending humor with a critical eye on various cultural and societal norms. The song is structured as a series of mock news segments, each one poking fun at different aspects of society, from artisanal crafts to political ceremonies, and even industrial advancements. The use of informal instruments and over-dubbing adds a layer of absurdity, enhancing the comedic effect while subtly critiquing the subjects it portrays.

The segment "Artesanía Insólita" humorously describes an elderly man who creates intricate Gothic cathedrals out of used toothpicks, complete with leftover food bits for added realism. This absurdity highlights the often-overlooked dedication and eccentricity in artisanal crafts, while also poking fun at the seriousness with which such hobbies are sometimes treated. The man's inexplicable laughter at the end leaves the audience questioning the true value and purpose of such meticulous work.

In "Tradicional Fiesta Gaucha," the song shifts to a celebration of traditional gaucho culture, complete with horse taming and a feast of asado and empanadas. The segment humorously acknowledges the rough and tumble nature of such events, with a light-hearted nod to the inevitability of mistakes. This part of the song underscores the pride and tradition inherent in gaucho culture, while also gently mocking its more exaggerated aspects.

The "Actualidad Latinoamericana" segment takes a satirical jab at political ceremonies, listing military officials being sworn into various ministerial positions in a circus-like setting. This absurdity serves as a critique of the often farcical nature of political appointments and the militarization of government roles. Similarly, "Desarrollo Industrial" mocks the automation of industry and the gender roles within it, with a priest humorously blessing a soda factory with the product itself instead of holy water.

"Costumbres Milenarias" parodies traditional Japanese customs, blending cultural references with nonsensical elements to create a humorous and somewhat surreal depiction of a diplomatic reception. The segment highlights the exoticization and misunderstanding of foreign cultures, while also poking fun at the overly complex rituals and practices.

Finally, "Celebración y Desfile" satirizes nationalistic celebrations, depicting a grand military parade that includes a mix of modern forces and indigenous descendants. This segment critiques the glorification of military power and the often superficial inclusion of indigenous cultures in national narratives. The recurring question, "¿Qué sucedió en la semana, eh?" ties the segments together, emphasizing the absurdity and triviality of the events being reported.