Canción de soldados (o Dicen que la patria es)

Rolando Alárcon's song "Canción de soldados (o Dicen que la patria es)" delves into the profound conflict between national duty and personal loyalty. The lyrics challenge the traditional notion of patriotism, which is often symbolized by a rifle and a flag. Instead, Alárcon redefines patriotism as the bond shared with fellow countrymen, particularly those who toil on the land. This perspective is a powerful statement against the dehumanizing aspects of war, emphasizing that true patriotism lies in solidarity with one's community rather than blind allegiance to national symbols.

The song poignantly addresses the moral quandary faced by soldiers who are trained to fight against their own people. Alárcon's refusal to fire upon his brothers, who are laborers and miners, underscores the internal conflict between following orders and adhering to personal ethics. The repeated refrain, "Ay, que yo no tiro, que no, ay, que yo no tiro contra mis hermanos," highlights this inner turmoil and the artist's ultimate decision to stand with the oppressed rather than the oppressors. This sentiment is further reinforced by the verses that describe the disparity in how society honors fallen soldiers versus miners, shedding light on the class struggles and injustices faced by the working class.

The song also serves as a call to action, urging soldiers to join the fight for justice alongside their brothers rather than against them. The lines, "Si mi hermano se levanta estando yo en el cuartel, cojo el fusil y la manta y me echo al monte con él," illustrate a willingness to abandon the military and support the proletarian cause. This powerful message resonates with themes of resistance and solidarity, challenging the listener to reconsider their own definitions of loyalty and patriotism. Alárcon's work is a stirring reminder of the importance of standing up for one's principles and the collective good, even in the face of institutional pressure.